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20121101
20121130
Search Results 0 to 1 of about 2 (some duplicates have been removed)
the corner, past the el, 4 blocks. oh, thank you, officer. i guess i got turned around. these streets are all mixed up in greenwich village. (hoberman) appearances are deceptive. space is deformed by the lighting patterns. it's the city late at night. chris gets involved in a violent scene that he can't really understand. and, in fact, it's quite violent. for the time, the idea that a woman would be lying on the ground while this guy is kicking her is fairly sadistic and is typical of more violence. along the sociological analysis, chris feels that to be masculine, first of all, you save women in distress; and, secondly, to be masculine, you also have a glamorous woman interested in you. we might also have been wondering, is she the noir femme fatale? is he hurt? i'll go call a policeman. no, wait! wait! she's kind of fetishized, wrapped up this transparent raincoat, which is both tawdry and glamorous at the same time, a beautiful, mysterious woman who is instantly duplicitous. where'd they go? in that direction. what does he look like? i don't know. i didn't see his face. he took $15. he did
Search Results 0 to 1 of about 2 (some duplicates have been removed)